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0 1598

Story by: Sara Teller
Photos by: Bernie Laframboise

THE SOFE DISTRICT – A CATCHY NAME FOR ‘SOUTH FERNDALE’ – is made up of various Ferndale businesses, including Green Daffodil, The Dana Keaton Collection, 700 Livernois Fashion House, Olive’s Bloombox, Christopher George Creations, The Kulick Center, Schramm’s Mead, The Anand Center, Purple Door Tea House, DK Dental, Imax Printing, Joe’s Party Store, Axle Brewery and Margaux & Max. Green Daffodil, a bath-and-body shop, coined the name eight years ago, and it officially took off during the beginning of the construction stage on Livernois earlier this year.

“We wanted to give this area its own identity because of the rebirth of the Avenue of Fashion in Detroit,” said Dana Keaton. “It is another enclave for eclectic business in keeping with the Ferndale vibe. It’s funky, eclectic, and diverse. We want the SoFe District to be the new hot thing!”

Keaton’s business, The Dana Keaton Collection, was established in 2000 and operates as a retail space, an education center, and a place to hold events. Keaton has been in the fashion business all her life. “I sell one-of-a-kind clothing and accessories,” she said. “No two items are alike.”

Keaton is well-known for her award-winning youth fashion programs, and has taught al various schools and centers all over the Detroit metropolitan area. She started The Fashion Atelier, which provides a wide variety of classes to residents. Current classes include Sewing 101, Fashion Illustration, Alterations, Jewelry Design, Modeling, Painting, Drawing, and others. ”You can learn how to design your own skirts, handbags, or yoga pants,” she said. “And yes, men can take the classes, also!”

RECENTLY, A MEETING WAS HELD REGARDING THE SOFE DISTRICT AT FERNDALE’S CITY HALL. ‘This meeting was with the County of Oakland and Ferndale. There were representatives from the County, Ferndale Chamber of Commerce, The DDA, and myself who represented the SoFe District,” Dana explained. She said its purpose ·was to spearhead the annual upcoming Small Business Saturday events. I wanted to be there to make sure the SoFe District was included.”

The group discussed what will take place on Small Business Saturday in November and how the SoFe District will be involved, plans for marketing and promotion, and what can be done to help generate business for the District. Those who were present on behalf of SoFe wanted to ensure this area of Ferndale received just as much attention as any other. “Our concerns were well-received, and they assured us they will include us in all upcoming events held in Ferndale,” Keaton said. ‘We are going to hold them to this!”

The City of Ferndale has also rolled out a series of “SoFe Strolls” in an effort to generate some publicity for the area. During these strolls, customers can stop by the places of business to receive special offers and participate in activities. “The City provided advertising materials for the first event,” Keaton explained. “The businesses of the SoFe District also use the Strolls as a way to help promote our other businesses in the area.”

According to Keaton, internal changes within the City offices have caused the owners lo take up the initiative themselves. ·we do plan to promote the dates ourselves to continue to drive business to our area,” she said, adding, ‘The Livernois businesses are hoping everyone will come to the new SoFe District and ‘Shop Small.'”

The final Strolls will take place on Saturday, October 13, 2018, 10:00 AM – 6:00 PM, and on Small Business Saturday, November 24, 2018, 10:00 AM – 6:00 PM. Green Daffodil will be having a Holiday Artist Markel, Saturday, November 3, 2018 10:00 AM- 5:00 PM, and Keaton will be hosting the Tres Chic Runway Fashion Show from 6:00 PM to 8:00 PM on Small Business Saturday at 700 Livernois Ave.

0 1876

By David Ryals

THIS YEAR, RUSSELL TAYLOR – AKA SATORI CIRCUS­ celebrated his 30th anniversary as Detroit’s premier performance artist. His performance persona has musical roofs, and has evolved info one of the most dynamic and creative solo acts in Detroit history. Taylor spoke with Ferndale Friends to talk about the entire span of his career.

“I had been in a punk art band in Detroit called Fugitive Poetry, and we were doing unusual things on stage that we tied into our music. There were a few groups doing wacky things, but I think we stood apart primarily because we pre-recorded our music and acted out the little stories we created to coincide with the music. Singing all vocals live. We were a three-piece at that time. This was 1983 to about 1986.

“One of the fellows in the group left shortly after we released a full-length album. So, we delved deeper into what we could do as a two-piece with pre-recorded music and props and character sketches. All performed live. About a year later, my dear friend in the group, Rick Maertens was diagnosed with bone cancer. So we retired Fugitive Poetry. I think our last performance was Spring of 1986, in Windsor. Rick and I were living together at this time and his fiance and myself, along with Southeast Hospice, we all took care of him.

“ABOUT A YEAR LATER, I was getting restless and started writing things on my own while Rick worked on a book of his short stories and poems. Once I started to collate material, I asked for his feedback. It started to really come together and make sense to me. Rick was a great friend and brother, and was instrumental in pushing me. Even the name Satori Circus is part his, really. Satori is a zen term meaning pure illumination, pure truth. Perfect for what I was writing or how I wrote, and followed suit of what Fugitive Poetry had begun.

“Circus: Growing up in parts of Detroit and certain parts of Dearborn, my life was always a circus. My family was a free group of folks, most importantly my mom. It was never a dull moment, from folks fighting at wee hours of the morning, to fires being set by vigilantes on crack homes, to sex workers servicing their johns outside our side windows. So yes, it was a circus.

“Rick finished his book and, if memory serves me, he passed away from the cancer about a week later. He was barely 25, and two weeks later Satori first hit the stage.”

LOOKING BACK ON THE LAST 30 YEARS IS ASTONISHING. Any performer who has lasted this long, let alone evolved constantly, has a few tricks up their sleeve. Taylor talked about his evolution and where it has taken him.

“Satori Circus has evolved on so many levels, it blows my mind. It started out being so simple and self-contained. Now I work with a few folks to make things happen. Granted, it’s not this huge ensemble that travels around with me, but it’s miles away from where I first began. Over 30 years, I have managed to perform for all sorts of adult audiences in the macabre, fetish, drag, cabaret scenes, and with bands and orchestras. Something I never saw coming. And I’ve even done a few children’s shows. I still do things myself, and explore thrift store and dollar stores for props and costumes. I feel you just don’t need that big of a budget to make groovy things and I’m pretty sure it won’t stop! I love that aspect. Simple.

It’s not just his performance that has changed; the entire Detroit performance artist scene has shifted over time. Russell talked about how other artists helped him change, and vice­ versa. “When I started, Detroit was barren of wild performance-type stuff, with the exception of some very cool dance parties and drag events going on around town. Mostly in places you wouldn’t want to wander about solo. There were some bands doing some very wonderful dark performances. And a handful of other performers crossing borders and challenging themselves as artists. But not a lot. I think I can safely say that it 1988 to about 1998, Satori Circus was kind of it.”

“I then left Detroit for a few years in 2001 to come back in 2005 to find circus, aerial, fire, cabaret, burlesque and others forms of time­ movement based arts sneaking into the bigger community’s fabric. It was amazing. It’s always wonderful to see so much stuff going on. So much talent exploding. Did it affect my work? A little I’d say. But I’m my biggest motivator. I’ll do whatever it is that I want or can do. I just keep searching. Keep picking up rocks to see what’s underneath. I don’t think I’ve ever waited for something to happen.”

His plans for the future are no less ambitious, “I plan to take on the world. To show folks that things can happen. Things can be done no matter where you’re from or who you are, or how old you are. I’m not a youngster by any means. And I ain’t going to stop. Not ever, if all goes well. My goals are to do more throughout the U.S. Canada would be awesome as well. And, of course, Europe. It’s going to happen.

0 1657

By Malissa Martin

WITH CHRISTMAS JUST AROUND THE CORNER, it’s heartbreaking to know that not every child will be a part of the celebration. However, for the past three years Fern-dale Youth Assistance (FYA, located inside Ferndale High School) has been changing that with their Annual Adopt-a-family Christmas program. Caseworker Tasha Hanson and office manager Melinda Hicks coordinate the program, which already has five families in need this year.

“Families come to us. They’re struggling financially. They can’t even get food on the table for the day, let alone think about Christmas,” Hanson said. So FYA pitches in to help by connecting them with volunteers who have agreed to “adopt” a family for the Holiday season. Once families are selected, the children fill out a wish list form provided by the FYA. Only kids receive wish lists; however, sometimes Hicks and Hanson will also purchase a small, thoughtful gift for the parents.

When a family agrees to adopt a family in need, they are given the wish list to use as a guide. “We ask if they need a jacket, boots, gloves. We want to make sure they’re dressed for winter, and then they give us their wish list and sizes. We usually get all of them socks and underwear.” Hicks said.

Hicks enlists local families and individuals to adopt families in need for Christmas. Groups can also volunteer. A local running group has adopted a family every year since the program began. The Police Department, the Courts, and City Hall have also adopted a family.

To help purchase items for the program, the FYA has included a budget of $4,000 to use for Christmas, and as an emergency fund. Last year the program provided Christmas for 38 kids and Hicks is expecting 45-to-50 kids this year.

THE CHRISTMAS PROGRAM IS JUST ONE OF THE MANY WAYS the FYA is striving to serve youth and their families. The FYA has two facets: The casework side and also the community organizational side. Hicks is the go-to person for all the planning and programming at FYA. The Oakland County Circuit Court funds Hanson’s salary as the caseworker. The school district provides the FYA space and also provides some funding as well. Finally, Ferndale and Pleasant Ridge provide monetary donations, as well as the community members.

Having their office located inside the high school makes it easier for Hicks to connect with the youth. “Community members – usually the school district, social workers, principals, assistant principals – make referrals of kids that are struggling. Then I meet with them on a short-term case basis and get them to where they need to be for counseling or groups or whatever they need. So, short-term casework services for kids who are struggling with things like death, dying, bullying, anxiety (and) depression,” Hanson said.

Being able to provide kids with toys on Christmas is a blessing, and it’s also Hanson and Hicks’ favorite part of the job. They’ve both lived in Ferndale for years, Hicks all of her life. Providing services for youth is their way of giving back and continuing the tradition of making Ferndale a great place to live.

To adopt a family this Christmas, contact Hicks at (248) 586-8700 or email melinda.hicks@ferndaleschools.org.

0 1827

By Sarah E. Teller

FOR MORE THAN 100 YEARS NOW, THE CHURCH AT 1841 PINECREST DRIVE has been serving Ferndale’s spiritual needs, originally as the First Baptist Church and now the Renaissance Vineyard Church. There has certainly been a lot of change over that time.

In 1915, a Highland Park parish branched out to the Ferndale area looking to reach a new population of believers, according to RVC founding pastor Jim Poole. For the next twelve years, the church expanded and began meeting in several different locations across town. “The pastor at the time was also the Superintendent of Ferndale Schools,” Poole said. “They met for a while all along the 9 Mile corridor.”

In 1927, the current location was built, and First Baptist Church officially took root in the community. Pool explained, “Like lots of groups over the years, it has experienced ups and downs. There was growth in the area post World War II. So, the church expanded in the 1950s. Then people moved away, or the nature of their religious engagement changed some. It entered decline and was looking at the possibility of closing the doors.”

INSTEAD, HOWEVER, IN 2011, First Baptist Church merged with Royal Oak Vineyard Church, a parish that was started in 2001 by Poole, his wife, and another partner. Poole moved his congregation over and the name changed to Renaissance Vineyard Church.

“Many of our members were already living in Ferndale,” Poole said. “We drafted a proposal for the plan we had so both congregations could vote, and the majority were in favor.”

By merging the two into one, immediately there were more helping hands for many of the services the church offered to residents. “We have a heart for this city and its community, for serving others and fostering relationships.” Poole said.

Of course, there were some roadblocks along the way. “In the beginning, we were running around 100 miles-per-hour to figure out the details and how to keep up,” he added. “It was pretty challenging. But the way I look at it, we could have nit-picked the process to death or we could just trust the plan. We had enough clarity to move through it.”

NOW, THERE ARE MANY MEMBERS who have been there for decades, and equally as many newcomers. Poole explained, “There is a pretty steady group who have been here anywhere from 20 to 50 years, but there were also a lot of new, young families. Our nursery is exploding.” He added, “Attendance-wise, there are about 100 adults and children and there are roughly 200 people who self-identify this as being their home church.”

At the 100-year celebration, Renaissance requested words of encouragement and blessings from Ferndale Schools, the Chamber of Commerce, and the City of Ferndale, as well as its community network groups and those who have oversight responsibilities. “They submitted letters and videos,” Poole said. “The Mayor tagged us in a Facebook post.”

They also had four members share their testimonies. “Janet (Carpenter) has been here 65 years. Her mom was the church secretary. She talked about her rich legacy of service work at the church, with the highlight being a mission trip I took her on to Ethiopia. It was great hearing her feedback and how she’s looking forward to the next chapter. Bob (Latta) has held almost every position at the church, except pastor. He started coming here when he was eight, and remembers as a 10-year-old boy, shoveling coal with his father after Saturday night’s dinner for service the following morning. He’s 88 now.”

Carpenter said, “I always felt like the church was my second family. I had my real family, and this was my spiritual family. I’ve gotten a lot of moral and spiritual support both within the church and outside of the church – it’s been a strong crutch.”

CARPENTER FEELS MERGING THE TWO CONGREGATIONS WAS A GREAT MOVE, saying, “We’ve been a mission-minded church from day one, and because of the similarities of the mission outreach, it was a good marriage.” Of the Ethiopia trip, she said, “I never thought I’d have the opportunity, and I was skeptical at first, then finally said I would do it. I’ve never regretted it. It was the best experience.”

Of the celebration service, Poole continued, “There were also two other testimonies from newer, younger members who have been blessed and impacted by the church. The rest of the service was a more celebratory version of the normal service.”

Renaissance offered a free lunch. “The luncheon consisted of all home-cooked meals with an international fair. People lingered to look at our photo books and old and new memorabilia. What stood out was that they stayed for hours, just hanging out, and you got a sense that they were mixing and meeting new people.”

Renaissance Vineyard Church is involved in numerous community outreach programs, but Poole said it’s the church’s presence in the community and how this resonates with others that truly matters.

“We want to exist for the community, for others – not just serving others and ourselves. This program is part of it but it’s more about presence and the way we go about doing these things,” he said.

As far as future plans, Poole added, “I am looking forward to the future while leaning on the legacy of the past. We’re looking to continue to find ways to serve more faithfully and we’ll be doing some fundraising for facility repairs and expanding our ministry and missions.”

0 2233

By Peter Werbe

HAVING SEEN COUNTLESS EPISODES OF ANTIQUES ROADSHOW ON PBS, many of us dream that there is something hidden away in our attic or basement worth a fortune. Or, at least a surprising amount.

Could that painting, sculpture, doll, furniture, jewelry, or even those vinyl LPs bring in some big cash? One site lists The Beatles’ 1968, The White Album, with its original cover, first issue, at $10,000-$20,000. Whoa, I swear I have one. I’m going down to Found Sound used record store on W. Nine Mile Rd. tomorrow with my copy!

At the high end of old, a 1963 Ferrari GTO sold recently for $70 million, the most ever paid for a car. A portrait of Jesus by Renaissance artist Leonardo da Vinci, Salvator Mundi, broke all records for artworks selling for $450.3 million at Christie’s in New York. That would be almost half a billion dollars for oil on canvas!

IT PROBABLY IS WORTH REMINDING OURSELVES at this point that all of this occurs in a world where, according to the United Nations, over 800 million people across the planet are undernourished. The main cause is poverty. And, poverty is all about distribution of wealth; how everything is divvied up. Here’s the way it shakes out:
• Half the world’s net wealth belongs to the top one percent,
• The top ten percent hold 85 percent of the wealth1
• The top 30 percent hold 97 percent of the total wealth.

Oh, those greedy, evil one-percenters! Just who are they? Well, along with the really, really rich 2,200 billionaires, the world’s one percent also includes most of us. In the U.S., if you make $50,000 individual income, you’re a 27-percenter making more than 73 percent of other Americans. Check your standing at graphics.wsj.com/what-percent.

World-wide, that sum puts one way up in the one percent. Of course, we’re not the core of the problem. It’s the one percent who maintain their loot (word intended) by controlling law and armies, and command wealth so great that they can buy cars and paintings worth millions but which assures poverty and hunger for others.  A personal note: These columns pretty much write themselves. I just start and let them flow. In my mind, I envisioned this to be a piece about collectibles and why things from other eras are so cherished.

ON THE FACE OF IT, supply-and-demand dictates price levels. If there are only a few of something and the demand is great, well. .. up goes its worth. But, why is there a demand for things like old street-and-factory signs, century ­old bottles and household items, every imaginable item that a few years ago before the fetish for the old would just have been tossed? Maybe because the era we live in brings so much anxiety and stress; where the future seems fraught with peril rather than promise. So, the past is mythologized to be a time when everything worked much better. Spoiler alert; it didn’t.

There was always a passion for antiques among some, but collecting doilies or clocks was usually the purview of grannies. (A different era then; now grandma is at the gym!)

Nobody thought to save things because they anticipated their growth in value. For instance, people who went to Detroit’s fabled Grande Ballroom between 1966 and 1972 each week got postcards and posters designed by the great rock artists of the era like Gary Grimshaw and Carl Lundgren. Their original Grande printings for classic rock shows featuring The Who, MC5, Pink Floyd, and The Doors, now command
thousands of dollars (although reproductions simply because the majority of people discarded them after the concert as being out of date. If everyone had held onto theirs, they’d only be worth a couple of dollars.

From the same era, John Sinclair, MC5 manager, poet and writer, published a mimeographed circa 1965 magazine, This is Our Music, which the Detroit Artists Workshop Press sold for 50 cents. At the Fortnight Institute gallery on New York’s Lower Eastside late last year, it went for $300!

Also offered at the gallery was a complete set of Guerrilla, a revolutionary culture periodical co-­published by Sinclair for two issues as a tabloid with Detroit surrealist Allen Van Newkirk. Then, Van Newkirk alone produced four large format, single-sheet editions as a “Free Newspaper of the Streets.” Van Newkirk would often use copies in an “intervention” at a public reading of “a bourgeois poet” by running down the aisle of a venue shouting, “Poetry Is Revolution,” – echoing a headline from one of the sheets – and throwing them into the audience.

Van Newkirk’s free street sheet, now nicely framed and under glass, was going out the door of the Fortnight for $2,500!

HOWEVER, ANTIQUE FANTASIES ASIDE, you’re probably more apt to be disappointed than rewarded since just because something is old, doesn’t mean it’s valuable. I began looking through my books finding ones I thought could be worth a goodly sum. Particularly tantalizing copy of Arthur Koestler’s 1941 bestseller, Darkness at Noon, with a copy being offered online at $800!

I gathered up some other likely prospects and brought a box full to Martha Sempler’s wonderful Library Bookstore on Nine Mile Road across from the record shop. After Martha perused the Internet (something she’s usually averse to doing), she gently burst my bubble. There were several copies of the same edition in good condition going for $16 ! In other words, you can ask for whatever you want, but that doesn’t determine a book’s market value. She offered me her usual generous price for the books I brought, but I declined and decided to gift them out to friends and relatives.

Is there a lesson in all of this?  Well, one would be, we should fight to abolish the glaring wealth inequality here and around the world.

Second,you might want to save everything, but that means you’ll be carting around piles of junk all your life hoping it will be worth something someday.

Maybe the best advice comes from a line in the old Bob Dylan tune, “Subterranean Homesick Blues,” – “Don’t follow leaders; watch your parking meters.”

Especially in downtown Ferndale. I said that.

Peter Werbe is a member of the Fifth Estate magazine’s editorial collective www.FifthEstate.org.

0 1530

By Jeff Milo

LISA HAGOPIAN AND ERIC HARABADIAN ARE THE MARRIED VIDEOGRAPHY DUO behind two full-length documentary films focusing on local music and celebrating the heritage of Metro Detroit’s blues and rock ‘n’ roll.

They completed their new film, Paradise Boogie, this past Summer. And they just hosted an event for the.ir previous film, Nothin’ But Music, at Found Sound last month, complete with an in-store DVD ­signing and acoustic performances from some of the musicians prominently featured, including local icons Benny Jet, Howard Glazer and Nate Jones.

Harabadian is a longtime musician with experience as a freelance culture reporter; he also knows his way around a camera. Hagopian, meanwhile, was “the real shutterbug” of the two, with extensive experience as a photographer. They caught the filmmaking bug in 2007, when the opportunity to collaborate on a documentary film on Cobo Hall briefly manifested. They knew they wanted to try something on their own and inspiration struck when Harabadian considered how remarkable it was that his longtime friend, Benny Jet, had found the right combination of drive, intuition and determination to forge a career out of music.

“(Jet)’s been able to make a living for 40+ years. Same with Howard Glazer,” said Harabadian. “(Music)’s all they’ve ever done and that’s always blown my mind. And, so we were trying to tap into what it is that they do to make it work, and how they define success.”

“I think it’s fascinating,” Hagopian said, “that through the making of documentaries, we’re able to get to know and learn about interesting people we might not have met otherwise.” Some of those folks include former MC5 manager jazz-artist/poet John Sinclair and legendary local blues musician Billy Davis. “(Documentary filmmaking) becomes a way of expanding our world and continually exploring and learning about people.”

While Nothin’ But Music took six years to complete, Paradise Boogie was finished in 18 months. But Hagopian particularly enjoyed the narrative arc of those six years’ worth of interviews, as it was tied together poignantly by an early interview in 2010 with Jet during which his then-10-year-old grandson, Dominic, made some exuberant cameos, cross-cut with a 2016 clip of Dominic as a young adult, performing alongside his grandfather. In fact, the way Nothin’ was able to intertwine music-making generations in that way would go on to inform their approach to the narrative of Paradise Boogie.

“Once you start something like this, you get so intrigued that you don’t want to give it up. So, we continued with Paradise Boogie, but this time we wanted to do something different. We wanted to make it not just about the past, but about the present and then the future (of blues music).” That arc is embodied endearingly in their film when they captured Billy Davis, a veteran performer at age 80, with ‘Mighty Michael,’ a spry new torchbearer of the Blues at just ten-years-old.

With a few other credits to their resume, they’ve co-founded their own production company, Vision 561. Both Hagopian and Harabadian consider the last eight years of work to be revelatory -­informing their own approach and work ethic, but also opening their eyes to the vastly deep well of talent residing right here in southeast Michigan.
“For Paradise Boogie,” Hagopian said, “I learned that it’s not just the musicians, but also the fans who are very passionate; it’s a tight-knit, supportive community.”

“I thought I knew a lot of the scene, already,” Harabadian remarked, “but as we dug into the history, particularly talking about Paradise Valley and the Black Bottom neighborhoods of Detroit in the ’40s and ’50s and to then see what’s going on throughout the blues scene today, I realized I just knew the basics. But this led us to do a lot of research. That’s the beauty of this journalistic aspect of making documentaries: You do your homework, and then it comes to life (on film).” And they admit that there are still so many blues musicians they could’ve covered.

Looking back on two films, the pair have a piece of advice for aspiring documentarians. “The DIY­ philosophy that people can sometimes pay lip­service to … ? It’s real. .. !” Harabadian said. “Go out there and start filming!”

Nothin’ But Music was screened at several notable venues (Magic Stick, PJs Lager House) as well as film festivals like North By Midwest. Paradise Boogie was accepted into this year’s Royal Star Film Festival and, as we went to print, they’re awaiting word back from 15 other film festivals, including a new event in Muscle Shoals, Alabama.

For more information, follow the filmmakers at: facebook.com/Vision561ProductionsLLC or through their main site: www.vision561.com.

0 1284

By: Sara E. Teller

PLANS ARE BEING FINALIZED FOR FERNDALE’S NEW SKATEPARK, which the City is hoping to roll out in the Spring. Ferndale’s City Council, Department of Parks and Recreation, and Department of Public Works have been busy working out the logistics and soliciting feedback from area residents. So far, they’ve secured help from Detroit’s architectural firm Hamilton Anderson, the Community Skatepark Advisory Committee, and the Tony Hawk Foundation, and a few changes have been made along the way.

“At this time, the location of the skatepark has not been confirmed. Previous plans of a pre-fabricated skatepark was set within Wilson Park. Based on the community feedback we received, we are now building a concrete skatepark,” said LeReina Wheeler, Parks and Recreation Director. “At the Parks and Recreation Department, we have been doing our due diligence, investigating and researching all potential viable locations for the skatepark. Data to assist with selecting the best location is being collected from skatepark designers, architectural personnel, skatepark professionals, City departments, and resident surveys.”

A design meeting was held on August 29th at B. Nektar Meadery, 1511 Jarvis, Ferndale. “There were attendees from both the skateboarding and non-skateboarding community [there],” said Wheeler.

“With the support of our architectural firm Hamilton Anderson, we presented examples of community skateparks within our region and asked for feedback on what elements were desirable, and which elements would not work in our community. The discussion and feedback provided an overview of what we would like to include in our Request for Proposal for a skatepark designer.”

Attendees were able to have a little hands-on fun at the meeting’s conclusion. “At the end of the meeting Brad Dahlhofer of B. Nektar extended an invitation to the participants to check out and skate his mini-ramp. Several skateboarders took the opportunity to show off on the mini-pipe,” Wheeler said. She confirmed the parties are still searching for a contractor to take on the design of the project.

“We are currently developing the RFP (Request For Proposal) for design-build. It should be published by late October or early November,” she said, adding, “With the support of Hamilton Anderson, we have been working on gathering preliminary information on what elements our community members want incorporated in the skatepark. Concept designs will be developed after we hire a skatepark design firm and confirm the final location of the skatepark. Additional community design meetings will be held to assist with the development of the final concept design.”

A separate meeting was hosted by the Parks and Recreation Department on September 5th, as well. The Department presented information to the Ferndale PARC Board regarding the viability of potential site locations. The meeting was open to the public and resulted in the recommendation of the top three potential site locations, ranked in order of most preferred: 1) Wilson Park, 2) Martin Rd Park, and 3) Geary Park.

“The recommendation was unanimously supported by the PARC Board,” Wheeler said. “Once the skatepark designer is hired, the Parks and Recreation Department will get input from the designer and make a final skatepark location recommendation to City Council for approval.”

She added, “The City is excited to bring this new amenity to our residents. We want our skatepark to be one of a kind and cater to all levels and abilities. Our residents have waited long enough and deserve the best when it comes to new amenities in our parks.”

More information on skatepark grants available from the Tony Hawk Foundation can be found at www.tonyhawkfoundation.org. Information regarding Ferndale’s new skatepark project, upcoming meetings, and project status can be found on the City of Ferndale’s website, www.cityofferndale.org.

0 996

By Rebecca Hammond

THE FERNDALE MONARCH PROJECT BEGAN IN MARCH 2015 WITH A SIMPLE GOAL: Adding milkweed to the yards and parks of Ferndale to begin replacing habitat, the loss of which has been dooming the species. At the time I tossed the idea out on the FB Ferndale Forum, with John Hardy leaping in with help and support I didn’t even know people raised monarchs indoors.

A friend shared an article with much-repeated advice: Since only ten percent of eggs laid in the wild make it to the butterfly stage, search for eggs and raise some yourself. This seemed a sound idea. And raising them turned out to be fun and gratifying, if at times nerve-wracking. Caterpillars and butterflies may look alike, but they do not act alike. Their varying behaviors drove lots of us up the wall with worry. Letting them handle their small lives on their own, assuming they knew what to do, was hard for us modern, in-control humans.

THE HOBBY GREW, with many of us almost obsessively gathering eggs and sharing them and our successes on social media. We converted others, and assumed we were doing good. Then the unthinkable happened: Two science-based organizations, The Xerces Society, and Monarch Joint Venture, rocked our world. According to them, we have actually been putting the species at risk, and haven’t even helped it.

In the wild, monarchs usually lay one egg per milkweed, caterpillars do not live in crowded conditions, and the open air of their normal habitat helps keep diseases to a minimum. There are predators; wasps, spiders, ants, even birds, but the huge numbers of monarchs that used to exist did well enough with those risks. It was humans that began dooming them, with development, pesticides, “roundup-ready” crops.

Not all organizations agree that the risk of sending diseased butterflies into the wild where they might infect a mass of wild monarchs is real or dire, but to my surprise, none recommend raising monarchs indoors, either. I’ve shared Monarch Watch’s clear instructions many times (wishing anyone discussing raising monarchs online would do the same), and just assumed that since they were telling us how, they were telling us to. No, like every other major monarch advocacy group, they agree that while raising them might be a nice hobby, especially fun for kids, it’s not helping the species regain its former numbers. The only thing that can boost those number of additional milkweed stems needed, especially in the upper Great Lakes region, is at least a billion. But we can’t raise them back to species health in our homes. And as some of the scientists in these groups have stated, we don’t attempt to save other species, the Kirtland’s Warbler, say, by raising them indoors.

Certain “social” (as opposed to science-based) monarch pages are full of posts about diseased caterpillars or butterflies. Usually the poster asks how to cure them, or turns them loose anyway. Some ask how to keep them alive indoors, maybe until spring. The goal of doing a small part to save a wonderful species seems abandoned, the practice personalized, the butterflies treated as pets. And in this focus on individual people raising butterflies, the need to plant more milkweed is rarely mentioned.

I RECENTLY MADE TWO TRIPS TO POINT PELEE, one resulting in viewing massed monarchs at the tip, maybe 7,500 of them. The other trip, a week later? We saw two, less than I’d seen in my front yard that day! But a side trip to a wonderful place called the John C. Park Homestead, a farmstead on Lake Erie, led to a conversation with a staffer who directed me to some shrubbery that was full of monarchs. She was thrilled. They’d never seen them there in large numbers before. And she told me something surprising: the park had applied for and received a permit to raise them next year. A permit? Yes, raising a Species of Concern requires a permit in Ontario. Permits seem to go to educational organizations, and the numbers of eggs and caterpillars is limited. How many can Ontarian raise without a permit? One.

This time of year gives us our best opportunity to make a real difference, because there are stands of mature milkweed all over, in parks, rest stops, along roadsides, and one pod can contain as many as 300 seeds. Green pods are fine if the seeds are brown. And if you want easily-separated seeds, you want to pick the pods before they explode and the fluff starts drying. The whole inner works comes out looking like a pinecone, and the seeds flick off the damp clump easily. You can even do this indoors. Wait a week longer, and your house could resemble a snow globe.

Goldenrod is the second-most important plant to monarchs, because it and New England Aster give the butterflies the nectar they need for their long flight to Mexico. Scatter some of those seeds, too. Pick some flower clusters after the blooms dry and shake them out in some goldenrod-free areas. And look for our seed-exchange box in the Ferndale Library.

My FIRST COLUMN FOR FERNDALE FRIENDS, at least ten years ago, was called “Leave Your Leaves,” and was about the benefits of allowing leaves to rot on the ground. My formerly-sandy soil is now rich and filled with worms. Leaving leaves seemed worth it for this reason alone. Avoiding the environmental cost of the leaf trucks was another plus, since they’re usually diesel and usually very low-mileage. Now a number of researchers have pointed out that leaf litter is full of moth and butterfly eggs and even chrysalides and cocoons, and a number of things birds like and need. Leaving your leaves, or raking them into your flower beds, is so multi-­beneficial, I hope it’s soon the norm.

Becky Hammond lives in Ferndale and changes her mind as situations warrant.

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By: Jeff Milo, Circulation Specialist

HALLOWEEN: OUR FAVORITE TIME OF YEAR IS GETTING NEAR! The library has always opened its doors on the last weekend before All Hallow’s Eve for a kid-friendly party – but we’ve particularly taken things up a notch over the last five years, and we’re always changing things up with a new, fun theme for our staff costumes.

This year’s Ferndale Library Spooktacular is Saturday Oct. 27 (5:00-7:00 P.M.), embracing a Charlie Brown-esque theme of a “Great Pumpkin Party!” In fact, to follow through on the nostalgia factor, this year’s theme will be iconic characters from children’s literature!” So, think Charlotte’s Web, Bunnicula, or Willy Wonka…, you’re sure to see some familiar faces from your favorite books! Join us for cider and donuts, crafts and games for kids, and a chance to trick-or-treat through the library!It’s free, and no registration is required.

ONE THOUSAND BOOKS BEFORE KINDERGARTEN: We’re inviting families to win prizes for every 100 books they complete with their toddlers (or babies) during the “1,000 Books Before Kindergarten” early literacy program. This nation-wide challenge encourages parents and caregivers to regularly read aloud to their children; it’s a fun and effective way for parents to assure their little ones are ready for kindergarten. The simple and enjoyable act of sharing a book with a child before they start kindergarten helps them learn pre-reading skills, such as understanding the sounds letters make, developing a bigger vocabulary, and building comprehension skills. Participants are eligible right up until the day their child starts kindergarten. Prizes (for every 100 completed books) will be awarded in the Kids Corner, and we’ll also add a leaf to our Reading Tree.

NEW STORYTIME: Saplings! We’re continuing our tree themed storytime titles with the unveiling of “Saplings.” Joining our family tree, along with “Sprouts,” “Buds” and “Uprooted,” we’ve got a new interactive storytime (for ages 3-6) that will be hosted in the evenings. For parents who aren’t able to make it to our morning storytimes, we’ll host the “Saplings” events on the third Monday of every month. “Saplings” will also have an age-appropriate craft-focused program on the third Saturday of every month. No registration will be required for either event. We’ll start “Saplings” with a storytime on Mon., Oct. 15th at 6:30 P.M., followed by the first crafts program on Sat., Oct. 20 at 2:00 P.M.

COMING UP IN OCTOBER: The Clean Water Campaign (CWC) for Michigan will be here on Thursday, Oct. 25 (6:30-8:00 P.M.). The CWC uses music and storytelling to spread awareness, and builds an informed constituency around clean water issues.

Then, just before Halloween, on Oct. 30 (4:00-8:00 PM) the Book Club of Detroit will be celebrating the 200th Anniversary of Frankenstein’s print edition with a screening of the original film, discussions about Mary Shelley’s immortal novel, and a fun costume contest. We’ll also have a new art exhibition by Ferndale High School graduate and Artist In You finalist Espacia Fotiu, on display through Nov. 5th.

COMING UP IN NOVEMBER:
First Stop Friday live music series: Nov. 2, 7:30-9:30 P.M.
Adulting 101: Money Milestones (Budgeting for the Big Stuff) Nov. 8, 6:30-8:00 P.M;
Songwriting Workshop with Jill Jack, Nov, 13, 6:30-8:00 P.M..
For more information, follow us on Facebook: facebook.com/FerndalePublicLibrary/.

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Judge Rudy Serra

By Rudy Serra

Q: I HAVE A JUDGEMENT AGAINST SOMEONE and they still refuse to pay. They drive a nice car, have top-of-the-line phones and computers, and constantly spend money on expensive jewelry. What can I do?

ANSWER: A court speaks only through its written orders and a judgment is an order of the court. Unless it is enforced, it is only a piece of paper.

The practice of “collecting” on a debt is now highly regulated. Debt collectors are subject to many limitations.

The process of getting a court “judgement” is one of the steps that must be taken to collect a debt without the cooperation of the debtor. Once you have the judgement, there are other steps required.

Before you can get the court to help you seize property, you need to know where it is located and who really owns it. The court rules provide a “creditor’s examination” procedure to allow creditors to question a debtor under oath about bank ac-counts and other assets. Titles to vehicles are easily proven and other personal property can be connected to the debtor in other ways.

Assuming the target of your judgement is “collectible” and you know they have valuable personal assets not real estate), you usually must wait 21 days after the judgment is issued. Then, you can go back to the judge who entered it and file a “request and order to seize property.”

A “request and order to seize property” applies to “personal property” and allows a court officer or deputy sheriff to seize the defendants’ personal property, such as cars, tools, jewelry, business equipment, cash and bank accounts.

The order allows the court officer to sell property after ten days, deduct their statutory fees and expenses, and return the remaining funds to the plaintiff. Court officers and deputy sheriffs sometimes are involved in property seizures and often do such work by contract. Some counties have a unit in the sheriff’s department for this purpose. The amounts deducted are spelled out by law, and again, other requirements exist to seize real estate.

JUDGE RUDY REPORTS is a regular feature in Ferndale Friends. We welcome questions from readers. If you have a legal question or concern, send your question by email to rudy.serra@sbcglobal.net. Advice about specific cases cannot be provided but general legal questions and topics are welcome.

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